In proper Greek, if you were to talk about me, youd refer to me as Yiannis.He displayed musical talent at a young age, playing the piano at the age of 6.
![]() It included Aria, a song based on Lo Delibes The Flower Duet ( Lakm, 1883) and popularized by an award-winning 29 British Airways commercial. A second Grammy-nominated 14 album, In My Time, followed in 1993. I wanted to see other peoples ideas of life, get out of the American dream. The album sold 55,000 copies in its first week and landed at No. Billboard charts, his highest debut to date. Yanni described the album as more of an even-tempered listening album, less dramatic than the live concert albums Live at the Acropolis or Tribute. He explained that he himself created all the albums sounds, including apparent vocalizations, through the manipulation of sound in his studio. While performing, Yanni divides his time among two decks of electronic keyboards and an acoustic piano, and conducts his orchestra. Yannis August 2019 single honoring his daughter Krystaln is called Ladyhawk, alluding to how she watches over him like a guardian angel. Early in his career Yanni focused heavily on the electronic side of music. There is power to it. Referring to his creative experiences on the 2009 Voices project, Yanni explained that while most of the music I write is instrumental, I love to use the human voice as another instrument. They are made upcompletelyand they perpetuate this illusion that somehow were all different from each other. I think the world would be a much better place if some day, we stopped pretending that these lines exist and we concentrated on our similarities rather than our differences. His music is also called contemporary instrumental 3 and has been described as an instrumental blend of fusion-jazz, world music, classical, and soft rock. However, at least as early as 1988, Yanni was said to shun labels such as Greek and new age, emphasizing that when someone says new age music, I think of something that you put on in the background while youre vacuuming the house. I dont want to relax the audience; I want to engage them in the music, get them interested. Distinguishing his work from what others have called ambient mood music, Yanni pointed out in 1994: New age implies a more subdued, more relaxed music than what I do. My music can be very rhythmic, very energetic, even very ethnic. Psychology, and understanding who we are as people in this world, is present in almost every creative thought I have. It is essentially tonal, tinged with mild whiffs of dissonance here and there, sometimes rhythmically frisky, graspable on first listening, and self-evidently mood-inducing. There are two basic moods to Yanni music: struttingly heroic with martial overtones, and dreamily contemplative. A kind of peaceful, easy-feeling link between pop music and classical music. ![]() This Greek composer marries contemporary new-age spirituality with todays pop attitudes and delivers a unique sound. Yanni Music Full Scale SymphonyYanni popularized the combination of electronic music synthesizers with a full scale symphony orchestra. Moser wrote that trends come and trends go, but that Yannis music seems to defy trends and. And if any one of us is capable of such a thought, then all of us have the same capacity and capability, because were all the same. The book became a New York Times best seller in the nonfiction category on March 2, 2003. Page 10 (our name, Chryssomallis, means golden hair) and page 17 (In English my name means John.
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